Cultural heritage must reflect history
Even after the people of Bangladesh established an independent and sovereign state through a nine-month-long bloody war, they still cannot contemplate the distinct national culture of Bangladesh. Their perspective is backward-looking. A section of Bangladesh’s writers, artists, and politicians exhibit a strong aversion to the culture of India, particularly the culture of West Bengal. These individuals trace the origins of Bangladesh's culture to the medieval Middle Eastern culture, especially the history of the spread of Islam. They do not wish to look beyond the conquest of Lakhnauti and Gour by Bakhtiyar Khalji. They focus on the propagation of Islam in Arabia, the Turkey, Afghan, and Mughal periods of rule in Bengal, and follow the trend of the Wahhabi and Faraji movements, leading to the establishment of the two-nation theory and Pakistan, and then to Bangladesh’s history. They emphasize the two-nation theory. It seems as though, not long ago, in 2004, a group of intellectuals gathered in Paltan Maidan with 17 horses to commemorate the 800th anniversary of Bakhtiyar Khalji's conquest of Lakhnauti, an event that gained significant media attention. A section of Bangladesh’s writers, artists, and intellectuals are devoted to Rabindranath Tagore, while another section is devoted to Kazi Nazrul Islam.
